Wendy Rowe’s Lived-In Smoky Eye


In the grand seek for my summer season magnificence look, a smoky eye—basic as it’s—can be a fairly unlikely candidate. Typically I’d await the autumn and go away the nice and cozy months open to coral-tinged blushes, bronze-y highlighters, and brilliant purple lip glosses. But when make-up artist Wendy Rowe confirmed up within the studio able to create a darkish, shadowy eye on mannequin Hannah Elyse, the top outcome was a less-than-traditional model of the look that felt surprisingly excellent for a summer season night time out. That’s as a result of it’s not stamped on or heavy. Instead Wendy gave Hannah what she known as a “lived-in” smoky eye.

The secret’s to start with “a really soft kohl,” Wendy advised me. “You’ll just dot it around the lash line and smudge it in with your finger.” On Hannah she demonstrated utilizing Nars Zardoz, which she initially utilized with a brush earlier than mixing along with her fingertip. Next, she took Burberry Eye Contour in 116, a “mauve-y, brown-y purple,” and smoothed it throughout the remainder of the eyelid, mixing all of it along with the kohl “so it looks quite soft. It’s more youthful—the skin has this veil of color.” Unlike a extra conventional smoky eye which, she says, “can make people’s eyes look quite sunken,” the blended tactic “keeps most of the color close to the lash line, making the pigment over the eyelid quite sheer. It’s a smoky eye, but it’s not solid.”

On Hannah’s pores and skin Wendy sculpted with the Burberry Contour Pen and Burberry Fresh Glow Nude Radiance “to pick up her skin slightly. It’s highlighting without highlighter.” She used Glossier Skin Tint as a base, however with a barely darker basis on the hollows of the cheeks for a pure trying contour. Then, for extra modernity, Wendy blended Glossier Cloud paint in Haze with a little bit of Vaseline and “rubbed it down the cheek, all the way in which to the jawline “quite than on the apple and up, to provide a extra worn-in flush.” She completed with Burberry First Kiss in Sweet Plum on Hannah’s lips. No mascara. “I bleached her brows as nicely as a result of the darkish subsequent to the white is placing, and it helps so the attention doesn’t look too gothic. It’s a bit extra fashionable, more energizing.”

The final step is straightforward: “The makeup will move, and it will look more and more realistic as you wear it,” Wendy says. Let it.

—Anna Stevenett

Hannah Elyse photographed by Tom Newton. Makeup by Wendy Rowe. Styled by Carolina Oricco. Hair by Clara Leonard.





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